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Our 3D worlds are gradually beginning to look and feel more sophisticated, but they currently all suffer from one obvious visible shortcoming: they are all being presented against a blank background. We created a background image for our sprite projects in 2 by simply drawing an image with the dimensions of the screen prior to rendering the sprites. This works well in 2D, but in 3D it falls apart: as the camera moves, the background needs to move, too, and we cannot make this happen with a static image. There are various approaches that we can take to implement a working 3D background, and the one you will look at here is called a skybox. It is called this because it is implemented as a box (a cube) inside which the camera is placed. The camera is centralized within the box, and as its angle changes to look around the scene it also looks around inside the skybox. The result is a realistic-looking background with movement that is consistent with the camera and with the objects within the scene. An example of a skybox working within our house scene, taken from the SkyBox example project, is shown in Figure 8 16.

/// <param name="name">Initial value of Name.</param> /// <param name="groupName">Initial value of GroupName.</param> /// <param name="modifiedDate">Initial value of ModifiedDate.</param> public static Department CreateDepartment (short departmentID, string name, string groupName, global::System.DateTime modifiedDate) { Department department = new Department(); department.DepartmentID = departmentID; department.Name = name; department.GroupName = groupName; department.ModifiedDate = modifiedDate; return department; } [global::System.Data.Objects.DataClasses.EdmScalarPropertyAttribute (EntityKeyProperty=true, IsNullable=false)] [global::System.Runtime.Serialization.DataMemberAttribute()] public short DepartmentID { get { return this._DepartmentID; } set { this.ReportPropertyChanging("DepartmentID"); this._DepartmentID = global::System.Data.Objects.DataClasses. StructuralObject.SetValidValue(value); this.ReportPropertyChanged("DepartmentID"); } } private short _DepartmentID; [global::System.Data.Objects.DataClasses.EdmScalarPropertyAttribute (IsNullable=false)] [global::System.Runtime.Serialization.DataMemberAttribute()] public string Name { get { return this._Name; }

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Figure 8 16 Rendering a scene with a cloudy sky implemented using a skybox Although this example uses a cloudy sky, the skybox technique can be used for all sorts of background effects, from city skylines to interstellar star fields The skybox is drawn before any other rendering takes place and switches off writing to the depth buffer This ensures that the box is always present in the background, and that it has no effect on or interference with the objects drawn in the foreground of the scene The box is actually fairly small, much smaller than the objects in the main scene in fact, but the rendering order ensures that this is not at all apparent to the end user.

The resource group manager unloads resources at the group level, meaning that all resources in a group will be released when using the group manager to do so In no case, group or otherwise, will Ogre remove a resource from memory automatically; in fact, you cannot force-unload resources until only the resource group manager and the resource manager have references to the resource Intelligent resource management for 3D applications is a research topic unto itself, and I will not debate the merits of one system over another here It is enough to mention that Ogre will not manage your resources for you Any further intelligence (for example, just-in-time loading/unloading policies) must be supplied by the developer Luckily, Ogre allows a high degree of control over the lifetime of various resources, as you have seen in this chapter, so you can easily supply this intelligence..

To make the skybox look realistic, we need to move it in a particular way; or rather we need to prevent it from moving from the point of view of the camera As the camera moves forward through the world, all the objects in the scene should get closer and larger, but the sky remains at a constant distance This gives the impression that the sky is much larger and farther away than it really is We achieve this movement behavior for the sky by always setting the position of the skybox to exactly match that of the camera As the camera moves around the scene, so too does the skybox Relative to the camera, therefore, the skybox is not moving at all, resulting in its apparent constant position Only the camera s position is copied into the skybox, however: the skybox rotation and up vector are left unchanged.

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